![]() ![]() I also love converting backlit images to black and white. This is especially easy to see when looking at a side lit subject, like in the pictures below. Have you ever tried to ‘’see’’ the light? When looking at my subject, even before I press the shutter, I know where there will be shadow and where there will be light on my subject. The evenly lit picture will lack dimension and the subject might be muddy. The quality of the light has a huge impact on my decision to convert a picture to black and white.įor example, a subject that is lit from the front with even light will not convert as well as a nicely side-lit subject. There are several factors that I keep in mind when converting a picture to black and white. I will selectively convert my personal and client pictures to black and white when I feel that an image can be stronger in monochrome. I now shoot with my trusty Canon 6D and edit mostly in Lightroom with the occasional Photoshop tweak, so I get to purposely choose when I want to convert a picture to black and white. When I got my first roll of black and white pictures back, I fell in love and to this day, my love of black and white photography runs deep. I thought that was just about the greatest thing since sliced bread. ![]() One day, I discovered you could get black and white film. I would use up a roll of film every couple of weeks and couldn’t wait the three days it took to get my pictures back. It was a point and shoot Kodak and I loved taking pictures with that thing. Lastly, there’s the Gradient Map, which you can use to add extra creative effects for more impact in your final monochrome snap.Ĭheck out the Spoon Graphics YouTube channel for more useful Photoshop tutorials for your photography projects.I got my first camera in middle school as a Christmas present from my parents. In Lightroom, you can do the same using the Black & White Mix option. The Black and White adjustment layer has since replaced the Channel Mixer and essentially has the same controls, with the addition of extra color sliders and options for certain effects. Most likely the go-to tool of more intermediate photographers, the Channel Mixer and its Monochrome option targets the colors individually so you can balance the tonal range for each color and come to the best contrast for the shot. So, which are the tools and techniques to go for? Fortunately, there are more options that do much better and can be applied as adjustment layers so they keep the original image intact. ![]() This ultimately creates monochrome images with a boring, washed-out appearance. By desaturating or converting to grayscale, you are essentially just removing the colors while disregarding the tonality of the image. ![]() However, these are among the worst ways to edit, and should be avoided in favor of better methods. Some of these tools may not be familiar to some of you yet, so we highly recommend checking out the video!Ī lot of photographers who are just starting out typically make the mistake of simply desaturating or choosing the grayscale mode when they convert images to black and white. He also classifies them as best and worst methods and explains why. In his tutorial, Chris Spooner gives a quick rundown of the Photoshop and Lightroom tools we have at hand when it comes to black and white photography, each of them producing different results. To help you get the best results out of post-processing for black and white photography, we bring some tips on the best and worst ways to convert color snaps. Today, we assume this is the route you’ve chosen, whether to help ascertain which methods work for you, or as your standard practice. Shooting in color and converting to black and white in post is an approach preferred by many photographers for its advantages. Some quick tips provide an idea on the dos and don’ts for post-processing. Turning a color photo into black and white isn’t as simple as it sounds. ![]()
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